Mark’s music moves fluidly between contemporary classical writing, electronics, and interactive media. By joining acoustic performance with digital elements, he builds spaces that reflect on perception, identity, and the ways technology redirects our attention. A contemporary classical language remains the starting point, but the path often leads elsewhere, led by a steady curiosity about how listening shapes interpretation and how sound can subtly reorganize the way we understand ourselves and the world.

RECENT COMPOSITION

Babble and Bend • Glissotar (for Dániel Váczi)

The Constancy Undone • Woodwind Quintet (for the Englewinds Ensemble)

Glass Tango • String Quartet

Moving Parts (CC MIx) • Electric Violin and Electronics

Mondrian Slip • Viola

The Persistent Whispers of Unfinished Destinies • Three Violins

Brelan • flute, viola, cello

Gene Mutation • Violin

Angles • marimba/vibraphone, piano

The Unfolding • String Quartet

Four Postcards • mixed choir and orchestra (based on poems by Eugene Field)

vagabondage • two violins (for Miolina)

be still, and wait without hope • piano, electroacoustic music, computer-mediated video

Masks • violin, electroacoustic music (KYMA system), computer-mediated video

no one can hear you dream • voice, violin, electroacoustic music and computer-mediated video

canzona quello non è là • electroacoustic music

reFRACTion • violin and live electronics

it comes to tell us it is gone • string quartet